Paiste Rude Novo China Cymbal 18 (18): Musical Instruments. Buy Paiste Rude Novo China Cymbal 18 (18): China & Effect - ✓ FREE DELIVERY possible on eligible purchases. Sizes: 18", 20" 。 Weight: medium 。 Volume: medium to very loud 。 Stick Sound: silvery, pangy, silky 。 Intensity: lively 。 Sound Character: Bright, silky, metallic, full, slightly trashy and very powerful. Wide range, fairly clean mix. Comfortable, responsive and somewhat soft feel. Exotic type of china that also offers the sound and function of a crash cymbal. Its unique shape makes both the bell and downward turned china edge accessible at once. Provides a strong, sizzling and deep layered china sound that is perfectly suited for any styles of Rock music and for other unique applications and percussive settings. The Rude Novo Cymbal delivers a bright, silky, metallic, full, slightly trashy and very powerful sound. It has a wide range and fairly clean mix. Comfortable, responsive and somewhat soft feel. Exotic type of china that also offers the sound and function of a crash cymbal. Its unique shape makes both the bell and downward turned china edge accessible at once. For unique applications and percussive settings. Introduction: 980 Background: The Rude Novo cymbal was created as a response to the extreme developments in Heavy Metal and Punk which required extreme cutting power and volume - RUDE was re-launched as 3000 RUDE, then 00 RUDE and returns to its classic RUDE name in 999 - In 005 the RUDE series is expanded with the introduction of Thin Crash models, bringing more control and sophistication to that series Innovation: First cymbal series without lathing featuring uniform thickness and sound engineering to compete with extreme mid-range frequencies and volume levels Alloy: CuSn8 Bronze, also known as "00 Bronze" Quality: Professional Production: Manual Craftsmanship - Hand Hammering Applications: Medium loud to very loud - Live and Recording - Punk, Heavy Metal, Modern Metal derivatives, and contemporary styles rooted in or similar to those styles Users: Working Musicians, Enthusiasts - All players who need raw energy and extreme cutting power without sacrificing musical cymbal sound Sound: Raw, lively, bright, energetic, with heavy mid-range harmonics and pow... 。 。 。
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This event in the life of John the Baptist sounds like it’s more than a simple press conference. Here we have him interviewed successively by priests and Levites, as well as Pharisees. All of them interrogate him about who he is: “Are you the Christ? Are you Elijah? Are you the Prophet?”
The Baptist takes this opportunity to clarify who he is and who he is not, correcting the misconceptions about him. He is not the Christ–nor is he Elijah, nor the Prophet. He is but “the voice crying out in the desert,” to prepare the way for the Christ.
First to appear on the Advent stage is the familiar but disturbing figure of John the Baptist, the so-called “forerunner and messenger of the Lord.”
We’ve met this guy before: We’ve read about the announcement of his birth before his cousin’s. Yes, that other Annunciation where things didn’t exactly go well: His father Zechariah understandably thought himself and his wife way beyond the age limit for biological parenthood, the angel uncharacteristically lost his cool, and poor Zechariah consequently went speechless for virtually nine months. His prophet son, of course, eventually more than made up for that long silence.
The guy couldn’t wait to play prophet. When Mary, pregnant with Jesus, visited the equally pregnant Elizabeth, the still-unnamed future Baptist leapt in his mother’s womb and even then, even without words, already proclaimed the coming of “him who is to come.”